Ere entering upon the subject of Fossil Whales, I present my credentials as a geologist, by stating that in my miscellaneous time I have been a stone-mason, and also a great digger of ditches, canals and wells, wine-vaults, cellars, and cisterns of all sorts. Likewise, by way of preliminary, I desire to remind the reader, that while in the earlier geological strata there are found the fossils of monsters now almost completely extinct; the subsequent relics discovered in what are called the Tertiary formations seem the connecting, or at any rate intercepted links, between the antichronical creatures, and those whose remote posterity are said to have entered the Ark; all the Fossil Whales hitherto discovered belong to the Tertiary period, which is the last preceding the superficial formations. And though none of them precisely answer to any known species of the present time, they are yet sufficiently akin to them in general respects, to justify their taking rank as Cetacean fossils.

Detached broken fossils of pre-adamite whales, fragments of their bones and skeletons, have within thirty years past, at various intervals, been found at the base of the Alps, in Lombardy, in France, in England, in Scotland, and in the States of Louisiana, Mississippi, and Alabama. Among the more curious of such remains is part of a skull, which in the year 1779 was disinterred in the Rue Dauphine in in Paris, a short street opening almost directly upon the palace of the Tuileries; and bones disinterred in excavating the great docks of Antwerp, in Napoleon’s time. Cuvier pronounced these fragments to have belonged to some utterly unknown Leviathanic species.

But by far the most wonderful of all Cetacean relics was the almost complete vast skeleton of an extinct monster, found in the year 1842, on the plantation of Judge Creagh, in Alabama. The awe-stricken credulous slaves in the vicinity took it for the bones of one of the fallen angels. The Alabama doctors declared it a huge reptile, and bestowed upon it the name of Basilosaurus. But some specimen bones of it being taken across the sea to Owen, the English Anatomist, it turned out that this alleged reptile was a whale, though of a departed species. A significant illustration of the fact, again and again repeated in this book, that the skeleton of the whale furnishes but little clue to the shape of his fully invested body. So Owen rechristened the monster Zeuglodon; and in his paper read before the London Geological Society, pronounced it, in substance, one of the most extraordinary creatures which the mutations of the globe have blotted out of existence.

When I stand among these mighty Leviathan skeletons, skulls, tusks, jaws, ribs, and vertebrae, all characterized by partial resemblances to the existing breeds of sea-monsters; but at the same time bearing on the other hand similar affinities to the annihilated antichronical Leviathans, their incalculable seniors; I am, by a flood, borne back to that wondrous period, ere time itself can be said to have begun; for time began with man. Here Saturn’s grey chaos rolls over me, and I obtain dim, shuddering glimpses into those Polar eternities; when wedged bastions of ice pressed hard upon what are now the Tropics; and in all the 25,000 miles of this world’s circumference, not an inhabitable hand’s breadth of land was visible. Then the whole world was the whale’s; and, king of creation, he left his wake along the present lines of the Andes and the Himmalehs. Who can show a pedigree like Leviathan? Ahab’s harpoon had shed older blood than the Pharaoh’s. Methuselah seems a schoolboy. I look round to shake hands with Shem. I am horror-struck at this antemosaic, unsourced existence of the unspeakable terrors of the whale, which, having been before all time, must needs exist after all humane ages are over.

“The United States!” said Passepartout; “that’s just what I want!”

He followed the clown, and soon found himself once more in the Japanese quarter. A quarter of an hour later he stopped before a large cabin, adorned with several clusters of streamers, the exterior walls of which were designed to represent, in violent colours and without perspective, a company of jugglers.

This was the Honourable William Batulcar’s establishment. That gentleman was a sort of Barnum, the director of a troupe of mountebanks, jugglers, clowns, acrobats, equilibrists, and gymnasts, who, according to the placard, was giving his last performances before leaving the Empire of the Sun for the States of the Union.

Passepartout entered and asked for Mr. Batulcar, who straightway appeared in person.

“What do you want?” said he to Passepartout, whom he at first took for a native.

“Would you like a servant, sir?” asked Passepartout.

“A servant!” cried Mr. Batulcar, caressing the thick grey beard which hung from his chin. “I already have two who are obedient and faithful, have never left me, and serve me for their nourishment and here they are,” added he, holding out his two robust arms, furrowed with veins as large as the strings of a bass-viol.

“So I can be of no use to you?”

“None.”

“The devil! I should so like to cross the Pacific with you!”

“Ah!” said the Honourable Mr. Batulcar. “You are no more a Japanese than I am a monkey! Who are you dressed up in that way?”

“A man dresses as he can.”

“That’s true. You are a Frenchman, aren’t you?”

“Yes; a Parisian of Paris.”

“Then you ought to know how to make grimaces?”

“Why,” replied Passepartout, a little vexed that his nationality should cause this question, “we Frenchmen know how to make grimaces, it is true but not any better than the Americans do.”

“True. Well, if I can’t take you as a servant, I can as a clown. You see, my friend, in France they exhibit foreign clowns, and in foreign parts French clowns.”

“Ah!”

“You are pretty strong, eh?”

“Especially after a good meal.”

“And you can sing?”

“Yes,” returned Passepartout, who had formerly been wont to sing in the streets.

“But can you sing standing on your head, with a top spinning on your left foot, and a sabre balanced on your right?”

“Humph! I think so,” replied Passepartout, recalling the exercises of his younger days.

“Well, that’s enough,” said the Honourable William Batulcar.

The engagement was concluded there and then.

Passepartout had at last found something to do. He was engaged to act in the celebrated Japanese troupe. It was not a very dignified position, but within a week he would be on his way to San Francisco.

The performance, so noisily announced by the Honourable Mr. Batulcar, was to commence at three o’clock, and soon the deafening instruments of a Japanese orchestra resounded at the door. Passepartout, though he had not been able to study or rehearse a part, was designated to lend the aid of his sturdy shoulders in the great exhibition of the “human pyramid,” executed by the Long Noses of the god Tingou. This “great attraction” was to close the performance.